This Beethoven entry is a little more traditional and listener-friendly, as you can hear all of it in just under half an hour. Michael Gordon – Rewriting Beethoven's Seventh Symphony The normally quick punches of the scherzo's opening become long, laborious musical lines (usually around 4:08 PM central time), and the overall sound is almost a little eerie with the attack and decay of each note overlapping into the surrounding notes. There is no distortion or pitch shifting, so the music sounds just like it would normally, only if it was played excruciatingly slowly. The piece is available for streaming here 24/7. And then there are pieces that literally last all day, like Leif Inge's 9 Beet Stretch, a sound installation from the early 2000s that consists of Beethoven's Ninth Symphony stretched out to last an entire 24 hours. Sometimes you might come across a piece of music that is so long and not interesting enough so that it feels like it lasts all day. If you compare the ballet music with its predecessors, the general skeleton of the older music is still there, but with new instrumental colors, rhythmic changes, and altered harmonies that fit Stravinsky's techniques. He appropriated music from various 18 th-century composers like Giovanni Pergolesi, Domenico Gallo, and Carl Ignazio Monza, and inflected it with his personal style. Stravinsky's foray into this new style began with the ballet Pulcinella, which is based on an 18 th-century play. This was all in reaction to the fluid, emotional, and opulent quality of music in the 19 th century. In a sense, neoclassicism is a reboot of the musical aesthetic that predominated the 18 th and early 19 th centuries, and as such its stylistic features focus on order, restraint, and a general sense of clarity. In the 1920s, Russian composer Igor Stravinsky began what many musicians call his "neoclassical" period. In honor of the recent release of NBC’s Heroes Reborn, their reboot of their 2006-10 show, Heroes, here are five such examples (with some honorable mentions) of classical music that’s been “reborn”: In the past several centuries of classical music development, a number of techniques and styles have come and gone, and modern composers have found ways to reconcile works of an older tradition with contemporary methods, while maintaining the general essence of the original piece. This process is not restricted to film and television, however, as there are a number of pieces of music that could also be considered "remakes" in a sense. Within the past five years there have been remakes/reboots of Footloose, RoboCop, Red Dawn, Star Trek, Total Recall, Godzilla, Spider-Man, True Grit, Teenage Mutant Ninja Turtles, The Equalizer, Hawaii Five-O, Dallas, Heroes. We've all noticed it, haven't we? It's the era of reboots, remakes, and decades-old sequels. Jack Coleman as Noah Bennett in Heroes Reborn
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